![]() Start your subscription to get access to more than 30,000 additional guides and more than 350,000 Homework Help questions answered by our experts. Jimmy Wells was the beat cop that Bob had been talking to earlier, and he tipped off his colleague to allow him to move in and arrest his old friend. Then, the mood changes completely there is no more mystery, no more secrets. Indeed, the true nature of the relationship between Bob and the beat cop who strikes up a conversation with him won’t become clear until Bob and the man he wrongly thinks is his old pal Jimmy Wells walk past a drug store on the corner and are suddenly bathed in brilliant electric light. Yet there’s an air of mystery about the man as he stands in the doorway of a hardware store. This makes the lone figure of “Silky” Bob all the more conspicuous. It’s 10 o’clock at night on a damp, windswept street, and adding to the atmosphere of mystery, the street is eerily quiet, as the inclement weather has cleared the streets of people. Initially, the mood of the story is quite mysterious. Jimmy’s actions highlight his thoughtful character. Students read the passages, underline the words that help to create the mood, and then explain their answers. It will give students practice with interpreting and expressing literary mood. In this way, Bob will never have the memory of being arrested by a former treasured friend. Here is a double-sided mood worksheet with 9 problems. Instead of arresting his former friend, Jimmy sends someone else to do the job. Yet, we are touched by Jimmy’s words in the letter. Instead of having a nice reunion, Bob gets arrested. At the end of the story, the mood is reflective as well as tragic. We get the idea that something ominous is heading our officer’s way.Īnd we aren’t mistaken in our emotional reaction: Bob gets apprehended by a police officer masquerading as Jimmy Wells. In response, people look for shelter away from the elements. As the story progresses, we discover that the wind has picked up and the rain is now falling steadily. At the beginning of the story, we learn that a little wind and rain has contributed to the night chill. The mood changes in the middle of the story, however. The police officer is described as “strong and important.” He’s also a “fine-looking cop, watchful, guarding the peace.” The police officer (who we later learn is named Jimmy Wells) is a figure that inspires trust. Based on the diction, the writer has full confidence in the officer’s abilities. The writer introduces us to a police officer on his rounds. “Mood” also inspires an emotional reaction in readers, so it’s quite an important story-telling element.Īt the beginning of the story, the mood is pleasant, upbeat, and positive. The latter is the writer’s attitude towards the subject matter or protagonist (or both). “Mood” refers to the atmosphere of the story and is often inspired by tone. Now you know a little secret, and it's time to apply it to your own videos.įor more great tips from Peter McKinnon check out his YouTube channel.There are several types of moods in the story. You will be amazed how frequently those techniques are used by great directors, cinematographers, and editors. Next time when you watch videos or films created by masters of the craft, take a look at those aspects of the story. Usually, warm tones tend to evoke more positive emotions while cold and blue tones get the viewer into the blues. Here are 31 moods to consider when writing your next story: Romantic. Shooting footage with a given white balance doesn't mean it can't be changed in post to tweak the planned in-camera tone. Same words, same information, but different visuals. In the video, McKinnon shows how introducing the topic of the video in a low-contrast, soft-light environment feels totally different than doing it in a cold, under-lit scenario. ![]() This way you can increase the production value of your video without having to actually shoot police cars or ambulances.Ĭhanging the light in-camera or color grading the footage in post is one of the most common visual ways to change the mood of the story. Even without showing the sources of these sounds, our imagination adds them subconsciously. In this video, McKinnon adds siren sounds to a footage of a running man. Adding background sounds, even without showing anything that produces them in the frame, may work wonders in our imagination. Simply changing the background music can tell a different story to the viewer. SoundĪudio is one of the most important aspects in you video. There are other examples of frame rate changing look and feel, but that's one of the most common uses. In the current example, normal video speed even may look like you want to set a feel of urgency, especially when combined with non-stabilized camera movement. ![]() Slow motion may make the video look cool, bring drama, or allow the viewer to focus more on the details over an extended time period. In a nutshell, for most beginner filmmakers this could be the difference between slow motion and normal speed. In his new video McKinnon shows several components that are keys for setting the tone of your visual story.
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